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Democrat and Chronicle (Feb. 13, 1998) -- In his uneven new comedy, Adam Sandler learns to be satisfied with dancing to the beat of a different drummer, even if that drummer is playing for weddings and bar mitzvahs. He's Robbie Hart, The Wedding Singer. As the film opens, Robbie's doing a fine job, entertaining a big wedding party at the supper club that employs him. But Robbie's world falls apart a few days later when his fiancee leaves him standing at the altar on his own wedding day. After being dumped, Robbie goes into a funk, and is thrown out of one wedding function when he rips into a roaring version of Love Stinks.
If you think any other conclusion is possible in this movie, you need to get out more. Of course, screenwriter Tim Herlihy and director Frank Coraci stack the deck by making Julia's fiance an egotistical, philandering jerk. If that's not enough, they also make Robbie's old girlfriend a tough-as-nails woman who looks like she moonlights as a stripper at truck stops. Our hero and heroine have little choice but to fall in love with each other. Herlihy's screenplay offers few laughs on its own; the film's most humorist moments come from Sandler's low-key, off-hand delivery. The funniest scenes are Sandler's performances of wacky songs, supposedly written by his character.
Barrymore seems ill-at-ease with a role that's written too sweet and innocent to be believed. The pouty Barrymore sports an unattractive haircut and baggy clothes. Her supposed romance with a handsome, fast-living Lothario seems as believable as Hugh Hefner going steady with Maria Osmond.
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