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By Marshall Fine (Sept. 25, 1998) -- John Waters' Pecker is hilarious good fun, the sweetest slice of subversion yet from the cinema's grand master of bad taste. In his latest satire, Waters contrasts the pretensions of the New York City art world with the quirky realities of working-class life in Baltimore. The central character is Pecker, an amiable 18-year-old (Edward Furlong) who shoots candid photos of his friends and neighbors when he's not flipping hamburgers at a local sandwich shop. Typical of the movie's teasing tone, Waters gives his lead character a salacious name but justifies it with an innocuous explanation: Everyone calls him Pecker because he pecks at his food like a bird. Pecker's favorite photo subjects include:
But it all becomes too much for the naive Pecker and his oddball collection of friends and family. Pecker offers the usual array of pop-culture references and bad-taste celebrations found in a Waters film. But it's easily the director's most accessible, entertaining work since Hairspray. In a season when There's Something About Mary rubs our faces in sick humor, Waters shows that you can get much more mileage by simply tickling the noses of viewers. Waters, the delightfully goofy Furlong and the capable supporting cast wonderfully sugarcoat the film's sure-fire sedition. But rest assured: Pecker still contains enough irreverence to give a prude palpitations. |
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